Video Editor

About Your Marketing Partners Your Marketing Partners is a UK-based paid ads agency serving clients across ecommerce, coaching, consulting, and info businesses. We run two core offers: Done-For-You (DFY): We run the entire Meta ads operation - strategy, creative direction, media buying, and reporting - for clients scaling past six and seven figures. Done-With-You (DWY): We coach and consult founders and in-house teams who want to build the capability internally Responsibilities Raw footage edits Work with whatever raw footage the client supplies - founder talking heads, studio shoots, product footage, B-roll, creator/UGC content, screen recordings, event footage - and cut it into paid ad formats Sort and log raw footage quickly; identify the usable takes, hooks, and soundbites Build multiple ad variations from a single shoot - different hooks, different angles, different lengths, different CTAs - so buyers have proper volume to test with Nail the hook in the first 1–3 seconds - text overlays, B-roll, jump cuts, pattern interrupts Add captions, text emphasis, broll, stock, screen recordings, and graphic elements that reinforce the message Motion graphics Build motion-led ads from scratch when there's no raw footage - typography, animated elements, product motion, data-driven or text-driven concepts Mix motion into UGC and VSL cuts where it strengthens the message (animated stats, callouts, product features, comparison frames) VSLs (Video Sales Letters) Edit long-form VSL scripts into finished videos - pacing, visuals, B-roll, graphics, captions, music Know how to keep a VSL moving so viewers don't drop off in the first 60 seconds Produce shorter cutdowns of VSLs for ad use Qualifications 2–4 years' experience editing video ad creative, ideally for Meta and/or YouTube Reel/portfolio that shows real DR work - raw footage cutdowns, UGC ads, motion ads, VSLs, YouTube ads - not wedding films, brand sizzles, or YouTuber-style long form Genuinely fast - you can turn around ads in hours to a couple of days, not weeks, without the quality falling apart Strong grasp of ad pacing, hooks, pattern interrupts, captions, and retention mechanics - you edit for the algorithm and the viewer, not for the client's aesthetic preferences Comfortable working with messy, unstructured raw footage - you can find the gold in an hour of rambling founder talking head or a chaotic product shoot Fluent in Premiere Pro and/or DaVinci Resolve, plus After Effects for motion work Comfortable with captions/subtitle workflows (auto-caption tools plus manual cleanup), basic colour correction, and audio mixing/levelling Comfortable sourcing and integrating stock footage, B-roll, screen recordings, and graphic elements cleanly Good written communication - you can read a brief properly, ask the right questions, and hand back work with clear notes Self-directed in a fully remote setup - you manage your queue, flag capacity issues early, and hit deadlines